As a token of gratitude, Rachmaninoff dedicated the piece to the physician that helped him out of his … Gramophone is brought to you by Mark Allen Group One is often conscious in this work of a mismatch between the characteristic elaboration of the piano part and the writing for cello, generally more plain and unadorned, but Raphael Wallfisch’s eloquence disposes of any problem; the two instruments, each with its distinctive role, balance one another perfectly. In fact, both that performance and this one by Mstislav Rostropovich and Martha Argerich are of strongly marked character, acutely, though differently, responsive to the music's every inflection, and both provide deep satisfactions. Register now to continue reading Thank you for visiting Gramophone and making use of our archive of more than 50,000 expert reviews, features, awards and blog articles. 11 by Frédéric François Chopin (1810-49). Was this prompted by ‘inspirational heat-of-the-moment’? Wonderful ,cd throughly recommend it. CD (138) … Their grand gestures carry complete conviction and sweep us along, even over the finale’s obsessive repetitions. This page lists all recordings of Piano Concerto No. Browse: Chopin - Piano Concerto No. Recording Engineer - Julia Thomas, Editor ℗ 2020 Decca Music Group Limited Forever the nonconformist, Gulda may sometimes be wilful and irascible but he is never less than mesmeric and fascinating. There’s an air of spontaneity, yet the expressive weight of each phrase is carefully considered, by York as well as by Wallfisch, giving the whole work a powerful sense of unity. The four Mazurkas, Op 33, and three Waltzes, Op 34, not only form a contrast to the Ballade but are themselves contrasted with each other. As enthusiastic audience applause (discreetly rationed on the disc) makes plain, these two concertos were recorded live at Tel Aviv’s Mann Auditorium. Sort by: Results per page: 10; 20; 30; 40; View: Filter results Show results filters Hide results filters. No 1’s Rondo is the highlight of the disc, nonchalantly fleet-fingered, beautifully phrased and conveying a real joy of shared music-making. Here, simply and assuredly, is one of the most magisterial talents in the entire history of piano playing. As with many of the concertos in the series, the soloist is prominent in the recording, but this goes well with Chopin's concertos where the orchestra is more like an accompaniment rather than a counter force to the piano. Of the two recordings here, I prefer Rubinstein's interpretation of the 2nd, being rather more romantic than the 1st. This disc is a classic. Certainly all the live performances on these discs create a towering tribute to Chopin. Zum Hauptinhalt wechseln.de Hallo, Anmelden. New Releases. I heard many recordings of these familiar works (for example: Zimmermann, Polish Festival Orchestra, DG), but this recording beats my all old favorites. This is very much Pollini’s disc, just as the First Concerto is very much the soloist’s show, but effacing as the accompaniment is, Pollini’s keyboard miracles of poetry and refinement could not have been achieved without one of the most characterful and responsive accounts of that accompaniment ever committed to tape. Reviewed in the United Kingdom on 12 November 2020. Rachmaninoff first recorded in 1919, for Edison Records' unusual "Diamond Discs", as they claimed the best audio fidelity in recording the piano at the time. To this day, the piece is considered one of the best and most majestic concerti ever written. 10 of the best: Essential Richter recordings. 1) The recording quality is excellent. Register now to continue reading Thank you for visiting Gramophone and making use of our archive of more than 50,000 expert reviews, features, awards and blog articles. Helpful. When Piano Concerto No. Piano Concerto 2 - Chopin: Amazon.de: Musik. York and Wallfisch adopt a no-holds-barred approach to the ultra-romantic Szymanowski, a successful transcription of his early Violin Sonata. This page lists all recordings of Piano Concerto No. A musician of uncommon sensitivity and intelligence, he was an exquisite Chopin player. A welcome change from the standard coupling of the two concertos, this programme is a distinguished addition to the bicentennial celebrations, an all-Polish affair with the exception of its Uzbek soloist. Three more great recordings… Vladimir Krainev (piano) Frankfurt Radio SO/Dmitri Kitaenko (1991-92) Apex 2564 61694-2. Are distinguished by exquisitely limpid cantabile and superfine delicacy of decorative detail while conveying... 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